{"id":223,"date":"2013-11-21T21:09:21","date_gmt":"2013-11-22T03:09:21","guid":{"rendered":"http:\/\/ualrexhibits.org\/characters\/?p=223"},"modified":"2022-12-13T16:05:15","modified_gmt":"2022-12-13T22:05:15","slug":"harvey-lee-goodwin-delineator-of-the-divine-feminine","status":"publish","type":"post","link":"https:\/\/ualrexhibits.org\/characters\/harvey-lee-goodwin-delineator-of-the-divine-feminine\/","title":{"rendered":"Harvey &#8220;Lee&#8221; Goodwin, Delineator of the Divine Feminine (Goodwin 1)"},"content":{"rendered":"<p>Harvey Wilson Goodwin was the second child born to Ernest Eugene Goodwin, contractor, and Ella Lorena (Hicks) Goodwin, homemaker. The Goodwin family claimed additional artists in the family besides Harvey. His paternal grandfather made violins, and his cousin, Nat Goodwin, performed as a tragedian actor. Upon graduation from Little Rock High School In 1930, Goodwin attended business school and subsequently accepted a clerical position in Washington, D.C. He enrolled in dance lessons at the Hazel Richard Dance Studio. At this studio, he made his debut as a semi-professional female impersonator in 1933, performing a song and dance routine. Goodwin&#8217;s youthful talents were noticed by many. In fact, in January 1934, Goodwin was asked to perform in costume at one of the first of President Franklin D. Roosevelt&#8217;s birthday balls.<\/p>\n<p>(Harvey&#8217;s papers are referenced as ualr.ms.0112. Find out more by visiting the <a href=\"https:\/\/arstudies.contentdm.oclc.org\/digital\/collection\/findingaids\/id\/4303\/rec\/1\" target=\"_blank\" rel=\"noopener noreferrer\">finding aid online<\/a>.)<\/p>\n<figure id=\"attachment_224\" aria-describedby=\"caption-attachment-224\" style=\"width: 182px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0025_aw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-224  \" title=\"Harvey Goodwin as a young child\" src=\"https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0025_aw-182x300.jpg\" alt=\"Harvey Goodwin as a young child\" width=\"182\" height=\"300\" srcset=\"https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0025_aw-182x300.jpg 182w, https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0025_aw.jpg 623w\" sizes=\"auto, (max-width: 182px) 100vw, 182px\" \/><\/a><figcaption id=\"caption-attachment-224\" class=\"wp-caption-text\">Harvey Goodwin, as a young child, is seated on steps in front of a house, ca. 1910s<\/figcaption><\/figure>\n<figure id=\"attachment_226\" aria-describedby=\"caption-attachment-226\" style=\"width: 226px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0763_aw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-226 \" title=\"Harvey Goodwin in top hat and tails, formal portrait\" src=\"https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0763_aw-226x300.jpg\" alt=\"Harvey Goodwin in top hat and tails, formal portrait\" width=\"226\" height=\"300\" srcset=\"https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0763_aw-226x300.jpg 226w, https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0763_aw.jpg 774w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/a><figcaption id=\"caption-attachment-226\" class=\"wp-caption-text\">Harvey Goodwin poses in a top hat and tails, ca. 1930s<\/figcaption><\/figure>\n<figure id=\"attachment_225\" aria-describedby=\"caption-attachment-225\" style=\"width: 211px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0018_aw1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-225 \" title=\"Harvey Goodwin, formal portrait\" src=\"https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0018_aw1-211x300.jpg\" alt=\"Harvey Goodwin, formal portrait\" width=\"211\" height=\"300\" srcset=\"https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0018_aw1-211x300.jpg 211w, https:\/\/ualrexhibits.org\/characters\/files\/2013\/11\/ualr-ms-0112_04_na_pho0018_aw1.jpg 721w\" sizes=\"auto, (max-width: 211px) 100vw, 211px\" \/><\/a><figcaption id=\"caption-attachment-225\" class=\"wp-caption-text\">Harvey Goodwin poses for a portrait, ca. 1930s<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<div class=\"entry-summary\"><div class=\"entry-summary\">\n<p>Harvey &#8220;Lee&#8221; Goodwin was a Little Rock native whose love of performance blossomed into a career as a professional female impersonator. Despite a lifelong battle with tuberculosis, he successfully performed in movies and on stages around the world.<\/p>\n<\/div>\n<div class=\"link-more\">\n\t<a href=\"https:\/\/ualrexhibits.org\/characters\/harvey-lee-goodwin-delineator-of-the-divine-feminine\/\" class=\"more-link\"><br \/>\n\t\tContinue reading<span class=\"screen-reader-text\"> &ldquo;Harvey &#8220;Lee&#8221; Goodwin, Delineator of the Divine Feminine (Goodwin 1)&rdquo;<\/span>&hellip;\t<\/a>\n<\/div>\n<\/div>\n<div class=\"link-more\">\n\t<a href=\"https:\/\/ualrexhibits.org\/characters\/harvey-lee-goodwin-delineator-of-the-divine-feminine\/\" class=\"more-link\">\n\t\tContinue reading<span class=\"screen-reader-text\"> &ldquo;Harvey &#8220;Lee&#8221; Goodwin, Delineator of the Divine Feminine (Goodwin 1)&rdquo;<\/span>&hellip;\t<\/a>\n<\/div>\n","protected":false},"author":11,"featured_media":256,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[7,4],"tags":[],"class_list":["post-223","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-harveygoodwin","category-homepage","entry"],"_links":{"self":[{"href":"https:\/\/ualrexhibits.org\/characters\/wp-json\/wp\/v2\/posts\/223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ualrexhibits.org\/characters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ualrexhibits.org\/characters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ualrexhibits.org\/characters\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/ualrexhibits.org\/characters\/wp-json\/wp\/v2\/comments?post=223"}],"version-history":[{"count":5,"href":"https:\/\/ualrexhibits.org\/characters\/wp-json\/wp\/v2\/posts\/223\/revisions"}],"predecessor-version":[{"id":2737,"href":"https:\/\/ualrexhibits.org\/characters\/wp-json\/wp\/v2\/posts\/223\/revisions\/2737"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ualrexhibits.org\/characters\/wp-json\/wp\/v2\/media\/256"}],"wp:attachment":[{"href":"https:\/\/ualrexhibits.org\/characters\/wp-json\/wp\/v2\/media?parent=223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ualrexhibits.org\/characters\/wp-json\/wp\/v2\/categories?post=223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ualrexhibits.org\/characters\/wp-json\/wp\/v2\/tags?post=223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}