American Native Press Archives and Sequoyah Research Center |
BLACK KNIFE: poems by Stuart Y. Hoahwah; Number One - Native Writers Chapbook Series II [a machine-readable transcription] |
poems by Stuart Y. Hoahwah
Number One Native Writers Chapbook Series II
Figure 1. "Black Knife book cover"
Copyright 2005 Stuart Y. Hoahwah, All Rights Reserved
Sequoyah Research Center |
301A Ottenheimer Library |
University of Arkansas at Little Rock |
2801 S. University Avenue |
Little Rock, Arkansas 72204 |
For information on the Native Writers Chapbook Series, contact James W. Parins, jwparins@ualr.edu.
What can be said for Saline County-a crow's call |
streaking through dreary country |
with a little gray sky locked to its side. |
Through the architecture of pine needles, sunlight breaks itself |
but laughter blows in. It is a wedding in the trees. |
Like dropped corpses along Steel Bridge Road, |
dilapidated pumpkin patches. |
A meth lab sings, hollers |
from the vortex of woods and echoes; |
toothless with diamonds |
Drum-set crashing down the hill, |
it’s the sound of Pink Whiskers from childhood... |
Sunset is a woman after love making, |
who gradually loses the high coloration of her body |
and falls to sleep. |
II |
Lake Winona is man-made. |
Headlights, orange ribbons; chains; |
sunken bulldozers rising up. |
Water, dark as un-oxidized blood |
pink bauxite grottos swallowing virgins. |
Used nights are dumped from the cliffs |
and recycled into lake bottom. |
The lake turns over. |
There’s morning |
in the eyes of the houseboat cook |
strangling chickens. |
III |
The town of Benton is a courthouse lawn and hanging tree. |
God is everywhere |
even in the cheese dip served at El Cena Casa. |
Jesus is the waitress |
with big tits and psoriasis on the elbows. |
IV |
In Bryant, boys neither go to heaven nor hell |
but into ghost stories. |
My life was a Thanksgiving coloring book, |
everyone greeted this Indian with roasted turkey |
and cornbread dressing. |
But Bryant lure boys to the railroad tracks; |
the stars, |
songs, |
marijuana. |
Blood and Budweiser flowed. |
Tattered trash bags, their banners... |
Bryant repelled whatever down-poured |
-it was my shelter. |
Covering me |
-it was the blackest gravel. |
Preparation |
Part and grease your hair |
down with un-baptized fat. |
The part, paint with red lipstick. |
Dip your sharp lethal |
stir and see your future |
in a puddle of skunk’s blood. |
To the white dawn sing |
anthems of the Black Knife |
Fraternal Society |
To become the blessed |
make your shield like the sun |
blinding when hung in a tree. |
Kill a young male crow |
stuff its body with sage |
this is your holy emblem. |
By night, live this month |
eat 65 watt bulbs |
it’s the Moon of Shattered Glass. |
In the zigzag voice |
of lightning and hailstorms |
tell of your war deeds and death. |
Proverb the winged snake |
Swallowing the young bird |
Tuibitsi
kana tua. |
Good-bye God, I am leaving for the Staked Plains. |
It is truly a wolf’s road |
spreading the sky open with red-stone rockets and powwows. |
Bitterroot taste to the air oozing |
through swirling locust. |
Double-barreled sunset |
the ashen face |
the snake emblem. |
There is no allegiance |
even though part of my body belongs to the Comanche |
and part to the Arkansas River. |
The rest, Coyote holds close to his heart, |
a handful of dirty pennies and blood pressure medicine. |
Night is being hauled in, piece by piece, on 18-wheelers. |
Owls are hooting now and the prairie is dreaming. |
Dreams carve into the treetops |
and the black scarfed numupe throws pine cones at the moon. |
To sleep like this |
I don’t consider myself a wolf. |
We kidnapped that scholar of Native American literature
and threw him in the
old tack room.
He was bound in duct tape
and razor wired his bar
stool.
He became lethargic, we tipped over the stool.
In a puddle of
urine and blood, he lied there
moaning, "I don't deserve this....I don't
deserve this..."
Like in cartoons
where the wolf steps on the yard
rake
I stepped on his bar stool and popped him right up,
turned on the
T.V. and gently placed the barrel
in between his thick soft lips
letting it slip into his fat beautiful mouth,
cocked the hammer back.
I whispered into his ear,
"Watch this Looney Tunes cartoon:"
Penathuka |
Quickstingers; raiders |
with honey-eating beauty |
southernmost words |
Yappithuka |
Root eating drifters |
drove out the Plains Apache |
into headless stars |
Nokoni |
Those who often move |
sloven in their camp habits |
Pease River gypsies |
Kutsuthuka |
Mexicans fear her |
the Sun Oracle and the |
bear claws of her son |
Quohada |
On treeless staked plains |
sewn antelope parasols |
Bonnets. Crow feathers. |
Tenawa |
The downstream people |
children of chief El Sordo |
and his Caddo wife |
Tanima |
They eat liver raw |
carry black crooked lances |
and fight without clothes |
Woi ah |
Maggots on penis |
marry incestuously |
maggots on penis |
Mu Tsane |
Dark undercut banks |
overhanging cliff campsite |
annihilated |
NumaKiowa |
Shields hung up in trees |
bells, streamers, yellowhammers |
red, green quarter moons |
It is a custom among the Comanche to count back |
five generations to an ancestor or ancestress, |
that ancestor is considered as a brother or sister. |
Tall ships on crashing tables of green seas, |
warped sail masts seasoned in Spanish heat. |
Luggage and family lunged toward new lives |
across cream rifts of the ocean |
to where Christian names cease, his family |
sailed from Castile Spain and settled a vast ranch, |
luscious valley land, in North Mexico. |
His Spanish name, Sebastian Ramirez; |
eight years old when he was captured along |
with his little sister, Constantina. |
They were warned not to beyond the fence, |
to stay close to the villa, but one morn |
They noticed something round and metallic |
in the grass at the edge of the barrack fence |
encircling the immediate five |
acres of the villa. Brooding each other, |
boy and girl crept to the shiny object. |
Both were hesitant, keeping an eye on it |
and their surroundings for safety's sake. |
They hovered over, over their treasure |
admiring it, sparkling, sparkling |
in different colors and beautifully strange. |
Boy slowly bent down to claim his prize |
hearing his heavy breath and heartbeat. |
Out of morning's stillness, a Comanche |
appeared, his horse galloping at full pace. |
The warrior, painted in black with red streaks |
under his eyes and along his arms and legs. |
He leaned to one side and swept up the boy. |
Another horseman, painted half rock-red |
and half yellow, captured the girl with stealth. |
The two Comanche horsemen, their captives |
across their laps, hurdled through the orchards |
fences, and stole away into the hills. |
Hooves stained with Mexican fruit and fresh blood. |
In the overgrowth, their raiding party (no stanza break) |
waited for them, upon our arrival |
the warriors began singing victory songs. |
In celebration of the horsemen's return, |
a captured baby from a near-by village |
was thrown up into the air and shot at. |
They rode non-stop for days until they reached |
a large sandy river, known as Pasi Ono. |
The party melted into smaller groups. |
The children went with their captors northwest. |
All that time, boy and girl had not said a word |
to each other or pleaded, out of fear. |
They were marooned on the backs of horses. |
Once past the river the party relaxed. |
That night they stopped and camped. The children fed |
on freshly cooked antelope and persimmon. |
Constantina finally broke down and cried, |
boy's head filled with bizarre trails and dark streams. |
It was months before the group reached the main camps |
of the strong Yappithuka Comanches. |
The boy and girl were taken to the family |
of their captor, Poho-kwasucut (Medicine Shirt Possessor) |
younger brother of chief Tabe-nanaka (Hears the Sunrise) |
both members of the Widyu or "Awl" clan |
known for fighting with each other, scratching. |
For days Sebastian and Constantina |
stayed inside the lodge with one hand tied down |
to a stake so not to run off, for the boy |
almost succeeded once. He kept looking, |
examining any possibilities. |
One of the family members, an old deaf woman, |
fed them. The little sister kept crying non-stop |
all this time and refused to eat at all. |
It has been said the girl cried so much |
Poho-kwasucut took her back down south, |
but there are also stories of her |
being traded off to another tribe, |
and stories of her being killed outright. |
Boy never wanted to ask such questions. |
Sebastian stayed on with his captor. |
He was adopted and given the name, |
Ho-ahwah or "Secretly looking for something." |
God, we used to pee on that kid. |
Jimmy Loobey, a name |
that could only come from the South. |
Flaming-haired stepchild of Coyote, |
we feared would ride his bicycle |
to our houses at mid-night, |
break into our bedroom windows |
and exchange places with us. |
And with our own underwear and rusty bicycle chains, |
he'd tie us down to the urinal depths of humiliation. |
Jimmy Loobey, the Comanche word ranging in meaning: |
from an in-grown toenail |
to your braids cut off |
and mouth rinsed out with bleach; |
from finding a strand of hair |
in your fry bread |
to burying a grocery sack of stillborn kittens; |
from losing your favorite turquoise ring |
to losing your virginity without a condom |
to a girl with line-backer shoulders and bad acne. |
That name has become a song throughout the years. |
The death song for both Comanche and animal alike, |
echoing from ditches and top of trees |
being whispered in the dark corners of bedtime... |
Jimmy Loobey, the name for all children's nightmares. |
Hell hangs implements here. |
Lumber. Woodshed. Ft. Sill. |
Southern Plains. |
There’s no shade but under the drill bit. |
I will furnish chairs, dining tables, |
axe handles to the officer’s wives. |
Comanche-crafted furniture, |
if shattered into a million pieces, |
would drag itself |
across the floor into a frantic |
huddle and fit back together |
with the precision of a carpenter |
two millimeters away from madness. |
The foreman doesn’t know what to think. |
Watching. |
He stands there throwing shadow and light |
with the brim of his work hat |
flapping around |
like the wounded trying to land. |
He wears Comanche colors. |
Red represents Oklahoma and blood, blue--the sky and bottled water, |
and yellow--his power or Sun medicine. |
The "S" stands for Snake, the sign for Comanche in Indian sign language. |
He's the lost son of the wealthy Mr. and Mrs. Edwin Pohosucut |
and descendant of the legendary warrior, Poho-kwasucut |
who possessed a medicine shirt that was bulletproof. |
Superman's parents were high school sweethearts at Ft. Sill Indian School |
and married soon after graduation. Two years later they had twins, |
big boy and girl babies with rolls upon rolls of fat. |
The girl supposedly lived only seven days. |
After baby Superman's first birthday, his parents died in a plane crash. |
A thunderstorm rolled in. |
Lightning struck one of the propeller engines catching it on fire. |
Knowing they would not survive the flight, Edwin and Lela put their son |
in one of their Samsonite suitcases. Not wanting him to die by fire; |
Edwin tossed the suitcase as hard as a loving father could out of the small plane. |
The state police report stated flames at the crash site were so intense; |
Edwin’s gold wedding band had melted off his finger. |
The coroner identified the bodies by dental records. |
There was a joint funeral with star blankets draped all over Permansu Cemetery. |
So many flowers; pedals blew across Southwestern Oklahoma for weeks. |
As for Superman in the suitcase, |
so aerodynamic, soaring like a futuristic bird with a cubic-shaped contrail. |
He landed safely in the sand dunes miles away. |
A childless Mennonite family, the Chebatahs, from Dirty Shame found him. |
They fell in love with his beauty and adopted the baby-Superman. |
For his resilience and survival they named him, |
Kutso-ekavit (Velroy) Stonewall Chebatah. |
Omen-birth, |
twins on the outskirts of electricity. |
To a legacy of wolves, the female was thrown. |
Boy was kept |
and named after the ancient cultural hero, |
Kutso-ekavit, "Red Buffalo." |
We called him Velroy for short. |
Once the ancient hero saved the Comanche people from a witch |
who flapped illness and death with her raggedy shawl. |
With a hook of his powerful horns, the buffalo tossed her up to the moon. |
You can still see the witch shaking her fists back at Earth. |
At age 10, head-first, |
Velroy fell into Cache Creek. |
It was mythical in the reeds. |
Velroy surfaced, singing in Comanche: |
Plains were spinning Southern style. |
Black Mesa skipped |
cedar shattered over Palo Duro. |
I saw the ghost sickness |
of the famous Parker family. |
I heard the droning in the shrine |
of Black Coyote. |
The birthday party on the dirt road to Cache; |
Velroy cartwheels into Deyo Cemetery, purple streamers falling. |
With owl feathers and some Velvet Underground |
he tried for the Bradshaw kid who died six months before. |
Velroy said a bone prayer, held the dark in conversation of a dreamer's cult. |
Its okay, you are beautiful, sing to me beautiful one... |
2004. Battle for Dirty Shame. |
Two medicine men jousted on Main Street, |
the Cheyenne called Hippy, |
and Velroy at opposite ends of the street. |
Hippy lit a cigar |
and blew smoke to the East four times. |
Velroy hailed to the sunset |
in his Dingo boots with the bulldog-nose tips. |
The citizens followed the blood trails |
running down the streets, |
up walls, over rooftops |
splashing onto the stars. |
(Ouija Board Blues |
By Velroy) |
My skull sits on the desk of the head |
of Anthropology. |
Brain-package in the flower pot. |
-Widow Smith |
My rib cage, a bleached and glassy scorpion hotel |
Trigger finger plucking bowels |
in a vulture |
My feet, still in boots under red swings buried in the yard |
The picnic of shadows |
Witch's mouth |
The trick is keeping mefrom piecing back |
I |
...makes a noisy entry into Texas |
II |
Four mountains |
Four creeks |
Four forts |
Four suns |
Four seasons |
Four nations- Comanche, Kiowa, Cheyenne, Arapaho |
Four kinds of victims- Mexican women, U.S. Cavalry, white children, Texas Rangers |
III |
At Yellow House Canyon |
the river turns tight. |
Talons skim the water, |
waves confirm dawn. |
With white sheets tied around their waists |
Tonkawa scouts cannibalistically count out |
a bag of small left hands. |
Seated in a silver concho saddle, |
Death's dirty sergeant lights up |
his ceremonial breathing leaf. |
IV |
Where Cache Creek empties into the Red River |
is a nerve center of war. |
There Velroy fought the gruesome sisterhood: |
Cholera, Plague, and Smallpox. |
They tried to strip his body of carbon-14 atoms. |
Velroy, protector of wolves |
and knowledgeable in the Flying Crane Technique |
of Kung-Fu, |
drop-kicked Plague in the windpipe |
simultaneously breaking her neck |
in three places. |
He tricked Smallpox with her own taboo. |
By passing some milk through a hole |
in an oak tree, |
it made her vomit up her own stomach. |
Velroy quickly buried it, |
turning Smallpox into a tree. |
Cholera challenged Velroy |
to a showdown in break-dancing. |
It took place on top of the creek. |
While Cholera was doing a head spin, |
Velroy pulled out the cardboard from under her. |
Cholera dropped into the river and drowned. |
V |
She sits in the deep part, |
a cinema of silver scales. |
Her hair moves like meadow grass in flood water. |
VI |
At the Red River |
Ute chief cuts my guitar strings |
Ute women love Punk |
VII |
Begin radio transmission: |
Fox 5 to Eagle's Nest over |
Roger Fox 5...what is your position...over |
Grim.....members of the Black Knife Society |
crossed the south fork of the river |
on horseback in a V-formation. |
They possess gear |
simultaneously musical and military: |
a stretched skin to serve as |
both shield and timbrel, |
and a club, sword, or lance |
that is also a drumstick.................[gun fire] |
Eagle's Nest to Fox 5 over.... |
I repeat...Eagle's Nest to Fox 5 are you there over.... |
I repeat...Fox 5 are you there over... |
End radio transmission |
Across the timber, the moon tracked in blood. |
The Texan's intestines, strung out across Night, |
melted in the tall grass. |
The horse of the dead coachman asked for me. |
We journeyed back, kicking at the thick ribs of night. |
From horseback, men tossed curly scalps back and forth. |
Kot-see was seated up in the saddle-- tied down at the wrists. |
By pulling on the ropes from time to time |
members of Black Knife Society balanced his tattered body. |
His forehead touched the sky, |
gunshot-face leaked worms. |
We sang victory songs, |
dreamed of our women laughing |
and the enemies' women crying. |
Across the country families would spend their Saturday nights at Bozo the Clown's Bingo Palace if the Nazis had won the war. McAlester, Oklahoma, is the Fifth Reich. Packets of bingo cards and a pack of daubers of fluorescent ink– payment for helping Henry Pussy Cat scout out a place to bury his newborn's placenta and plant a maple sapling over it.
It was outside of Vega when the Tonkawas finally ambushed, killed, and took off with Prufrock's torso. We were traveling west, men of true grit still reporting on the Western Expansion and just a few miles from the vortex of the American Dream. Apaches scouts even realized this, despite their racial handicap. Tonkawas are all alike, having no respect for the decency of the white man's culture. We trustworthy Comanche guides will be blamed for this incident. Some backwoods law enforcement agency will hunt us down like rabid dogs. Tonight, while my colleagues and I are being held in some dank stockade and sodomized by semiautomatic rifles and esoteric branding irons, the sky over Flattop Mountain will be ablaze by banquet fire and laughter of those cannibal savages with a grease ring of Prufrock smeared on their sated faces.
A sunset skirmish at Palo Duro Canyon, the turning point of the battle was when we replaced the shredded alternator belt in Chaat's Buick with his girlfriend's pantyhose. Eka-paa, the magician, led his daughter's favorite horses off the cliffs, turning each one into a star so not to be stolen. The tobacco smell from nigger-lipped cigarettes of the dead gives me a headache. Some time in the night, the commanding officer was shot in the throat with a humming bird.
Transcribed is the poem recited from memory by Eka-paa while in battle:
Palo Duro Canyon where wounded have fallen |
hitting the ground like sunset, where the desperate tried |
throwing ropes around the moon calling it a raid, |
the glorious reign of the Chinaberry Moon |
surrendering at a picnic table. Now...there |
is a twenty four hour convenient Quick Stop |
at the bottom. Madame _ _ _ is cashier. |
In the parking lot, shopping carts and stars collide. |
Approximately one hundred fifty miles southwest of Fort Sill. Midnight, the hour of raids. Lassoes lay upon the ground, the men sitting within. Their tobacco smoke spirals up to the Moon. With her hands upon their shoulders, they pray to take many tanks, trucks, and horses. Commanding Officer Stanford's body was interred into a crevasse at the base of Cap Rock. I've cut my hair short on the right side and dyed my scalp lock red; heading south into Mexico with Velroy. Some Quohada and Yappithuka Comanches are there on a raid/vacation.
Tonight is the 130th anniversary |
of the Sacred Contortionist Society. |
Members rolled up into one big human ball |
and bounced away. |
They scare me, making me |
think I'm having a good time |
getting air-borne, |
rolling under electrical fences, |
scaring cattle, |
racing trains, |
disarming swat teams, |
and showing me |
how not to burn myself smoking |
while curled up into a ball. |
Inside their thick braids |
they hide old Mexican treasure maps. |
These Comanche witch-contortionists |
ambush tanker-trucks |
filled with inedible lard |
and contort their spines |
while they’re hunched over |
chewing on the corners of Spanish rooftops. |
Nothing is inedible to them. |
Dearest Frank, |
In response to your last correspondence, |
everybody knows the letters of our alphabet can be classified |
as individuals, species, etc. |
Every letter is affected by accidents arising from matter or form. |
Poetry is the art of using the most appealing lies |
to attain truth. |
Frank- |
...marriage is for fucking |
Christians. It is the God's truth. |
Before, during, and after sex you better have within you, |
quite clearly, the image of what you desire. |
It neutralizes the evil, |
it's the old civil code of the Sacred Prostitute. |
F- |
I am held up in Durango low on ammo and feeling ill. |
My body is shutting down. According to Galen, |
the human body is made up of four humours: |
blood; bile; black bile; and phlegm. |
This must explain my cycles of fevers and nightmares. |
I wish I was back surveying |
and popping off prairie chicken heads |
with your lever-action .22 . |
Frank the pink Axe, |
Things are better, remember when I departed |
you held my hand and said, "I want the man bearing the cross |
to be its only victim..." |
At midnight, in a plastic Wal-mart bag, |
Jesus is a fat peyote button. |
Inside old man Black Star's teepee, |
a quarter-moon altar |
of dirt with a silver dollar |
centered on a doily of cedar. |
Skin of the kettle drum |
dipped in creek water. |
Sovo, the actor, sings a peyote song |
into a fan of macaw feathers. |
On a mattress of sage, |
I drink tea from a glass canister. |
Gritty and full of pulp, |
backwash of Eternity dribbles off my chin. |
I resonate with midnight, |
the hour of raids |
sweeping across the countryside |
like a clock's second hand |
as stars remain still. |
I vomit and it's good. |
Of arranged marriages and Comanche |
wives: my insipid bony wife who wears |
blouses like a coat hanger and rough kiss. |
She smokes Winston Lights 100s holding |
her cigarette like a jackboot Nazi, |
every word is nervous cold smoke ring. |
Obese diabetic wife unhinges |
her jaw and eats a taco sideways. |
She trashes up the furniture and destroys |
with thistle in her un-manicured fists. |
Darling can accurately throw syringes. |
It takes Kiowa words to describe her, |
my youngest wife, my craftswoman of beads. |
The Kiowa is witching me, cleaning |
my combs and sifting through used vacuum |
cleaner bags for bit and pieces of me. |
She stashes it all in a Folger's coffee can. |
My dream about you, Sonora, is deep, |
a blue mountain gorge. Black buckskin wedding, |
covert vows taken in front of a fox's sky. |
On black Spanish silk, I spell out your name |
in silver jewelry, gourd incantations. |
Bottomless echoes form a woodland archives |
carried over in turtle shell and fire. |
On the horse-colliding landscape, under |
trails of lightning and hail you were born to. |
Descendant of the Owl Prophet, |
to say your name leaves dark plumes in my mouth. |
Even to say your name in Indian sign language, |
the hand motions like a snake. |
You severed tail of the unrecorded. |
The darkest is sunlight with too many |
names hiding behind a wolf's full tooth grin. |
Silver albino at night without name |
in a cape of water birds craning long |
your slender neck to the moon like a dream, |
You walked across the shakiest rooftops (no stanza break) |
whistling down the gentle universe, |
placing it into a small mason jar. |
In the dark emerald curves of a dance club, |
your body was a collection of bone |
whistles and Sunrise Songs in re...reverse; |
pentagram face, hips like Cinderella |
dancing in deep steps of your own design. |
You dee-jaying the séance-turntables, |
spinning black water, scratching out full moons |
of owl-sound mixes and gansta rap. |
Combining Comanche sage medicine |
and chunks of black-tar magic in blue flames, |
circular on an etched spoon, you |
made the whole set of silverware legend. |
Fort Sill femme fatale wanting to be claimed |
as relative, friend, or ex-lover |
bundled in colorful silks and conjured up |
for the sloe purpose of dying all over again. |
You didn't die so young and beautiful |
but alone curled up in a waiting room |
chair at the Indigenous hospital, |
head cradled and caressed by your own gold |
toothed shadow. Known for turtle medicine, |
your were not buried near any body |
of water. Undisclosed bones still lie. |
For years people have claimed, even sung, |
that they are little you, they have seen you, or |
can put anybody in touch with you. |
"Enjoys breaking Laguna pottery |
in moonlight and smoking cigars rolled up |
in corn husks..."you creation story reads |
on the back of the Milky Way and want ads. |
Hoahwah married twin sisters. |
The one wife called Double |
turned into a snake |
after eating a nest of glossy eggs. |
Snake Woman still lives on Mt. Scott, |
sleeps facing west. |
The sun a white skull itself |
bathes her on the cedar breaks. |
In rectangular dreams |
she calls me grandson. |
The other sister Tsi-yee |
named after a war deed |
(her father charged a cavalry officer |
knocked him off his horse then lanced him to the prairie) |
bore three children: Tabe titah, Namnetse, and Sam Hoahwah. |
Lena, Sam's favorite daughter |
ran off with an Arapaho from Canton. |
Sam sent his men after her |
on horseback, their ranch-hand-shadows |
overcast the Cheyenne and Arapaho Rez. |
Lena said: I ain't comin back. |
She bled to death on a mattress |
after a miscarriage. |
Mama couldn't remember her |
just the car ride to Post Oak Cemetery |
and watching wind in the pinwheels. |
Mama died the same age, fish-tailing |
into Comanche history |
in an Illumina without insurance. |
Great grandfather Sam Hoahwah |
first Indian in southwest Oklahoma to own a car |
(southwest Oklahoma is the poor Indian's Sicily) |
got ran over with his own Model-T. |
His Mexican cowboy-chauffeur |
forgot to take it out of gear |
when Sam crank-started the car. |
Not far from his own car Uncle Carlton |
was found dead in the weeds of Cache Road, |
keys missing. |
He sang gospels in Comanche, |
backup on Robby Robertson's |
Contact from the Underworld of RedBoy. |
(Although for years, Uncle secretly respected Levon Helm more.) |
Carlton Jr. caught ghost sickness |
cyclin 'cross Post Oak Cemetery at night. |
He looked past his shoulder |
it twisted his face. |
The moon makes fun of him now. |
After the incident, his girlfriend fell |
in love with his cousin Rusty |
nicknamed Rabbit |
who loves fried baloney |
calling it Indian Steak. |
Rabbit's lil brother, member of the Black Knife Society, |
who records the old Comanche survivals |
and paints cubic horse murals |
has dreams |
of swimming pools |
and a 20ft long red talking snake |
who calls him grandson. |
Like a character from fiction, I will take you on your own terms |
you have a life of your own. |
Like God, so big-so unwanted, I offer no answers to your questions |
but I am the best description of the turning point of your summer, |
the stimulating indigenous mainline supply of electrification |
war-wrecking, unworkable locomotive stock |
part academic, part sporting, part mutt, a fast passenger with manes of terror, |
said Velroy. |
The delicious Pawnee contestant walks away, |
molecularly falling apart into a trail of tiny blue beads. |
Velroy vomits up ammunition for every type of gun. |
We've been slinging back 44oz cherry-flavored slurpies. |
Pawnee women make the best hair stylists. |
They know how to caress with shampoo |
and handle a pair of scissors as if it's penetralia |
Cutting away your strength, they have your hair |
and you love it, |
said Velroy wiping his mouth with his hand. |
I see stacks of nickels the size of trash cans |
and feel the bleachers' vibration in my crotch. |
Night is breaking chains. |
...it's possible, said Velroy, I am the ghost of this. |
In my rusty Suburban I place you. |
The Red Chariot of Resurrection |
smoked all the way to the banks of the Washita. |
Possessing your last breaths in pop bottles, |
I compel you. With dead cedar and sage |
you are bathed, toweled off in smoked water. |
Up your legs, down your arms, all over your breasts |
I paint the vocabulary of owls. |
Your insides-- owl poetry. |
A star blanket laid out on the sands. |
It is midnight hotdogs on sandwich bread. |
The fires of the Quarter moon picnic rise. |
Saddled turtles are ready to take you. |
In the far off distance I hear the owl |
who brings the trinket of your voice and things |
like the bells for your ankles and the dress |
that compliments a dead Cheyenne woman |
into the dark foam gush you are carried. |
In water so clear the fish glow...shimmer, |
that Ophelia-thing is doing your hair |
floating out across the icy water |
like debris in the machine of green storms. |
Driftwood with no horizon, I let go |
like a frail mosquito without fresh blood. |
You skim the water, bitching at the cold. |
What is left of the burning barrels |
and the buffalo chips that fueled our dreams |
is at the end of your cigarette, |
the only light within five miles. |
The stars are not out tonight. |
Night is just the smell of burning tobacco. |
Comanche County ends on a gravel road |
underneath a pick-up truck. |
We lie cross-legged with the dark, |
stealing different tribal license plates |
and reinventing horse-stealing songs |
with screwdrivers. |
And when you inhale |
we exist only as an orange glow |
with a manhood built |
out of these stolen plates. |
For you, morning will be tribal princesses |
being carried away by yellow beads |
sewed into the shape of horse-legs. |
For me, its bolts and pins |
of dismantled horses. |
The mercy is where sunlight, |
like brilliant swords in diagonal swing, |
takes us by the neck. |
I |
An old man sings, holding up his hand |
as though it was mirror: |
You only achieve this with old age. |
I look like an owl |
with white patches on each side of my head. |
Handsome. |
Try to become old as fast as you can. |
II |
My horse of pearl shell |
I feed him |
spring water |
snow water |
hail water. |
III |
How bright the moonlight |
as I ride in |
How bright the moonlight |
with my load of kill. |
IV |
From the last step of my house |
I recognize in the distance the star |
used to beat Coyote and the ringing stones. |
I look up. Venus is rising. |
V |
My father did not recognize me. |
He saw me he said, |
You are the child of an owl. |
VI |
Come back |
Before you get to the window |
Come back Before you get to the Red River |
Before you get to the circle of owls |
Come back |
Before you get to the fire |
Come back |
VII |
Margaret made her last sketch of Velroy, |
him coming out of the crematorium. |
His bones were violet. |
VIII |
Where will you and I sleep? At the down-turned jagged rim |
of the sky you and I will sleep. |
Last hotel I stay in |
will be the Smithsonian. |
I"ll have a cardboard box-affair |
with Neanderthal Woman. |
Our stolen bones stir together, |
a rattling Kool-Aid wedding |
the skeletal display of lovemaking |
in our glass-encased honeymoon. |
My cranium, a laughing ashtray |
hers, a glued moon missing pieces. |
A jawbone exchange |
symbolizes a kiss. |
I'll have a mouth chiseled |
from speaking Neanderthal. |
She'll have no cavities and only speaks |
little Comanche dirty words. |
Our names are shelved |
in a tribal ghost story. |
Our missing parts: |
handles of boot knives |
frames for family portraits |
a trail of powder. |
We'll have nightmares |
about bulldozers |
and those happy hunting grounds |
found underneath. |